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January 05, 2008

year-round humidity control

after getting the whole-house dehumidifier installed last year, i've been kind of dragging my ass on buying/installing a whole-house humidifier. i finally bought one about a month ago but didn't get around to installing it until this past week when temperatures dropped and the humidity in the studio got as low as 26% (ack!).

the humidifier i got isn't anything terribly special...just one of those whole-house drum humidifiers you can pick up at home depot. the unit itself is pretty decent, but it was a pain in the ass to install and the whole process was kind of kludgy. it took a little while for it to start working its magic, but after about 3 days the humidity levels are pretty stably about 10% higher throughout the house. i still need to tweak things to get the studio a few % points higher, but overall things are looking good.

my goal is to have the humidity in the house be between 40-50% year round. for the studio this is mainly to help wood instruments behave well, but i also want the humidity controlled in the rest of the house for comfort/health reasons. nothing i hate more than waking up in the middle of the night in the winter feeling like every drop of moisture has been sucked out of me.

when springtime rolls around i'm going to confront the dehumidifier situation again. i'm still really pissed at the way they installed this thing and i believe it's running very inefficiently as a result. in places with both heating and air conditioning, you're always supposed to do any dehumidification before the evaporator coil and any humidification after the furnace. the reason for doing humidification after the furnace is that the increased temperature enables the air to hold more moisture, and the very process of passing air through the furnace drops the relative humidity significantly.

as for dehumidifying before the evaporator coil, i've learned the hard way why this is important. dehumidifiers are self-contained refrigeration cycles--air passes over an evaporator coil where it is cooled significantly, which causes excess moisture to condense and get drained out. then it passes through a condensor coil, which causes it to heat back up. i discovered this summer that the air coming out of our dehumidifier is actually several degrees warmer than the air going in, and since the output of the dehumidifier was tapped into the supply line, that warmer air was just circulating through the house and making the a/c work harder. when spring comes around i'm going to switch it over to the return so that all of the output from the dehumidifier passes through the a/c evaporator coil before going anywhere else. that should also provide better dispersion of the dehumidified air throughout the house--in the current set up, because of where the dehumidifier is tapped into the supply trunk, one end of the house and part of the studio barely get any direct delivery of dehumidified air.

January 01, 2008

recent gear acquisitions

thought i'd update everyone on the cool sexy gear i've been buying lately:

microphones

sennheiser 421

sennheiser 421. this thing is great on guitar amps. i like it a lot better than sm57s for this purpose--it has a smoother, warmer sound. it's also great on snare, although positioning it can be a bit awkward sometimes since it's a bit bigger than other commonly-used snare mics.

shure sm7b

shure sm7b. rapidly becoming one of my favorite vocal mics. great for rock singers, great for taming harsh singers, great for taming singers with crazy dynamics. several times now i've put it up for a singer along with 3 other mics costing 2-4 times as much and it wins out by a pretty wide margin.

royer sf1

royer sf1. my first ribbon mic, this thing became my #1 choice for several things as soon as i heard it. it sounds INCREDIBLE on violin. absolutely amazing. it sounds pretty amazing on acoustic guitar too. i just went through a long period of being very depressed at the acoustic guitar recordings i was getting with my mics, and this thing was a complete godsend. on playback now i'm finally hearing guitars the way i want to be hearing them. i've been using it on vocals a bit, too. it wouldn't be one of my "go-to" mics, but it works amazingly well in the right context.

shure 520dx

shure 520dx, aka green bullet, aka harmonica microphone. i have no idea when i might need to record harmonica, but i got this to use for a vocal track i was doing. it sounds horrible, distrorted, midrangy--I LOVE IT! it was perfect for giving just that right kind of lo-fi sound i needed. i've worked on a few songs in the past where i really wished i had one of these, so i'm glad i finally picked one up to have around. it's the kind of mic i'll probably only use a couple of times a year, but when i need it I REALLY NEED IT.

audio-technica atm450

audio-technica atm450. bought a pair of these for a really great deal but haven't had a chance to try them out yet. i've heard from several people that they're really good as drum overheads and other general-purpose drum mics. i've been really unhappy with the sounds i've been getting from the mics i've been using as overheads, so i'm anxious to try these out.

outboard gear

aea the ribbon pre

aea the ribbon pre. ribbon mics and my sm7b are very low-put microphones and require gobs and gobs of gain (65dB or more). this pre has an ultra-minimalist signal path to help give really clean gain at those kinds of levels. i did my first recording with it on sunday and had the gain as high as 75-80dB sometimes, and this thing barely added any noise/hiss. the sound is pretty nice and uncolored and it seems like the highs aren't quite as hyped as on some of my other pres. i'll be playing around this unit more in the coming weeks


hear back hub

hear back headphone distribution system. i got this to replace my old furman distribution system. this system lets you send 8 signals digitally over cat5 to person headphone mixers where people can mix those 8 signals together however they want for their own headphones. mixers can also be mounted on mic stands, which makes it really convenient for singers to adjust levels in the middle of a take. i only have 2 mixers at the moment but i'll be picking up a few more in the next month or two.

computer stuff

uad-1

universal audio uad-1 dsp card. i've been flirting with buying one of these for several years now, and now that i have one i'm kicking myself for having not purchased one like 3 years ago. this thing ROCKS. they've modelled a bunch of the universal audio hardware (1176, la2a, la3a, etc.) as well as other vintage and newer gear. the 1176 and la2a are my current go-to compressors and this thing has one of my all-time favorite reverbs. i've been using this so much i'm maxing out the card and will need to buy another one soon (you can have up to 4 uad-1 cards in one machine).

floor!

finally installed the laminate flooring this weekend. it looks awesome--really adds a lot of warmth to the room:

IMG_0543.jpg

overall it was pretty easy to install. the only tricky part was the dealing with all the weird wall angles. it was sometimes difficult to accurately measure the angle and transfer it to the piece i was cutting--a couple of pieces i had to do sort of by trial and error and mess up a few cuts until i got it right.

it's amazing how much of a difference the flooring made. it completely changes the vibe of the room and brightens it up a lot since i no longer have that dismal, gray, concrete slab thing going on.

i'm baaaaaaaack!

happy new year everyone. i finally have some downtime from recording projects to get back on track with the studio construction and all that. get ready for some up long-overdue updates, y'all....