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April 29, 2006

sootloose

matt and i headed for the fireplace and busted shit up old sk00l. i got off to a slow start with the brick removal, as i had to continue the reverse tetris for a bit to make sure things wouldn't collapse on me. but as i started heading towards the firebox, i eventually hit critical mass and things just came right out and collapse was no longer an issue.

now for the progress pics. i apologize for them being all so dark; it's really hard to get good photos in that room right now.

this is how it looked shortly after we started and i yanked out the bottom-most piece of the flue pipe:

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and right after i broke through to the firebox:

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and right after matt left to go get ready for his hot date:

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tomorrow's activities won't be quite so profound. i'll just be focusing in on a few things, like sealing off the flue at the top of the chimney and removing the rest of the floor pieces to see how much of the basement concrete was ripped up when they put in the fireplace and figure out how to go about filling that back in.

April 27, 2006

len & dave: 1 shower: 0

dave came and helped me tonight. we plowed right through the shower side of the bathroom:

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the space that this freed up will become part of the lounge area.

i also managed to get another 30 or so bricks and blocks down from the fireplace. at this rate i'll have it fully disassembled around the time chinese democracy is released.

dumpster driving

we filled up our 20-yard dumpster, so we had to have them come and haul it away and give us a 15-yard dumpster. switching out dumpsters is an interesting ordeal when there's just one guy and one truck. he had to drop the new dumpster off up the street, pick up the old dumpster, dump it off in the zoo, pick the new dumpster back up, drop it off in our driveway, and then pick up the old dumpster and haul it away. the whole process took almost an hour. i was kind of amused by this:
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last night matt and i plowed into removing the horrible tile from the bathroom (well, the outer layer of horrible tile, anyway). we made some pretty decent progress:

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assuming we get all that tile out by this evening, we'll start tearing down this wall:

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i also hopped up onto the roof last night to further investigate the chimney and the fireplace flue. originally i was going to seal everything off myself after removing the fireplace, but now i'm thinking i might have a chimney dude handle this one, as it's a little different than the chimney designs i'm used to seeing and i want to make sure i don't totally screw things up.

April 25, 2006

fireplace part 2: another brick in the wall (and another, and another...)

so last night, rob dropped one of the stones from the fireplace on his foot while picking it up to move into the garage. turns out that broke his toe and he's on crutches now. the only person who should be injuring themselves during this whole process is me, so i'm kicking my "safety nazi" setting up a few notches so make sure this doesn't happen again. and rob now has a lifetime supply of studio time.

matt came over tonight and helped with the next phase of fireplace destruction. this is how it looked when we started:

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after removing a few bricks, i began to get a feel for how the whole structure was laid out. there's one nice brick layer, and then everything behind that is a completely unstructured mish-mash of brick and concrete block. rather than removing layers from front to back, i'm having to do more of a top-down removal and assess the structural integrity pretty regularly to make sure the whole thing isn't going to come toppling down and crushing me.

we managed to remove a lot of bricks in the 3 hours we worked on it, but there are just soooo many of them that progress feels really slow. we removed somewhere on the order of 150 bricks tonight, around 130 of which were in good shape and will be donated to construction junction or something. this is how the fireplace looks now:

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the excavation is starting to hit the core of the fireplace and i want to examine the flue connection and stuff more closely under better lighting conditions before proceeding, so we put the rest of that work on hold.

i started doing some exploratory destruction of the top-secret eastern european black site which the CIA has codenamed "bathroom". i've seen some pretty horrid pittsburgh basement bathrooms in my time, but this one really takes the cake. here are some "before" photos, although they don't come anywhere near close to capturing the gestalt of the space:

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that big drain pipe running down through the middle of the shower is coming from the kitchen sink upstairs. it's looking (and smelling) a bit funky, so i'm going to have the plumber look at it when he comes out to do all the kitchen stuff.

i had planned to crack open the window in there to air out the intermittent sewer smells that sometimes grace the room, but when i went to slide the window it just kind of fell apart. you can kind of notice it in the photo. it's no biggie, since that space is going to be filled with glass block eventually.

that shower tile is something else. it reminds me of the building where i went to high school. except this is white tile instead of green. it's some of the thickest tile i've ever seen. it's the kind of stuff that falls into that gray area between "tile" and "wall". i guess back in the 50s you could seem all intellectual for having existential shower tile (note: i get first dibs on the use of "existential shower tile" as a band name). you can see to the left of the drain pipe where i pulled off some of the tiles to see what they're all about. for one thing, they're damn sharp when they crack. i sliced up my finger pretty well while trying to retrieve a shard that got wedged between the drain pipe and the wall. you may notice the pink tile behind the tile-wall i removed. for reasons not entirely clear to me, they felt the need to cover one layer of hideous tile with another layer of even more hideous tile. i feel i will go through my entire life never understanding this shower, which is fine since it will be showererd with destruction any day now.

April 24, 2006

fireplace destruction, part 1

rob came over tonight and helped us start taking down the fireplace (thanks rob!). we took down all the stones from the facade, which came apart more easily than i had anticipated. stacey's thinking of using some of them for her flower bed, and i'm going to check with construction junction to see if they'll take the rest.

behind the face is a layer of brick. behind the layer of brick is another layer of brick. we don't know yet what's behind that layer, but all current theories have converged on infinite layers of some form or another. if that's the case, i'll have to check with the dumpster rental people and see if we can extend our rental period from 1 week to something a little longer like, say, an eternity.

the brick is going to be a pain in the ass to take out. it's not as stubborn as the concrete block wall was, but there's just so many bricks, so even if they aren't a huge pain they'll still take a really long time to remove.

wanna make some money?

so i only have the dumpster until friday, and i'm beginning to get worried that with everyone who volunteered to help me bailing out and with all the remaining work left and only myself and stacey (and only when work's not kicking her ass) to do it, i'm not going to get everything removed by then. so i'm offering $10/hr to anyone who wants to come help me destroy things during evenings this week. i will also provide you with food and drink if you so desire, and, if you're in a band, i'll give you a studio time credit for any future recordings you want to do with me. all i ask is that you email me only if you're absolutely serious about helping.

the work that remains to be done this week:

remove fireplace
remove 1.5 concrete block walls from the bathroom area
remove floor tile
clear out any remaining debris and random furring strips and stuff still attached to the walls/ceiling

April 23, 2006

if these walls could talk

today we yanked out all the electrical stuff in the studio area as well as the remaining drywall and insulation. the exterior walls are coated with this black tar-like waterproofing substance. if you look at one of the walls in just the right angle, it says "FUCK YOU" in big letters. i've never had a wall curse me out before. i'm not sure how to process that.

it's been getting progressively more difficult to light the space as we go from white walls and recessed lighting to black (or at least very dark) walls and worklights. i picked up a couple of 250W halogen worklights today. they seem to give off a lot of light, but a lot of it just gets sucked up by the walls. it's not too terribly bad during the day when we get at least some daylight into the space, but evenings can make for difficult vision.

April 22, 2006

mr. gorbachev, tear down this wall!

this is the weekend of wall destruction. the existing drywall in the main area is about 80% removed. part of the concrete block between that room and the garage has been removed to make a doorway.

i've also started pulling out all the electrical wiring in the room. found more crazy shit. there was a junction box which had wires running into it and everything, but they neglected to cut out a hole for the receptacle when they put the drywall up. so if we hadn't pulled down the drywall, got only knows how long it would've stayed buried behind the wall like that.

i also discovered that part of the wiring for the space was done with 4-wire. why, i have no clue. so in a bunch of junction boxes there are these spare red wires. sometimes they're tied together with a wire connector, other times they're just curled up inside the junction box.

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April 20, 2006

yo, ding-dong, man, ding-dong, ding-dong, yo

woohoo! the last of the known electrical fire hazards has been removed. they abandoned the wiring going to the problematic light socket down in the laundry room and ran new wiring there from a more reasonable location. which means we also have power to the doorbell now. not that it really matters since we won't be moving in for several more weeks, but it's just nice to know that one of the first things i started fixing as soon as we got the house can now be marked "done". i had way too much fun standing outside and ringing the doorbell.

electrical inspector came and passed everything. we made sure the door to the studio space was closed so that he wouldn't be tempted to look in there and see the mess of code violations which are going to be removed within 48 hours anyway.

i ran through the building plans with the electricians and ran my electrical plans past them to make sure everything's cool. all junction boxes are going to be surface-mounted in the rooms to minimize the number and size of openings in the drywall. this will help cut down on sound leakage.

lighting is going to be all track lighting. i've had a few people recommend doing halogen lights, but i read in one or two places that halogens can generate interference sort of like fluorescents, but to a lesser degree. i've had a few people now (including the electricians) tell me that's not the case, so i may go ahead with the halogens. i definitely want the ability to have bright lighting when people need it, but also have the ability to do darker mood lighting for situations when people prefer that.

i need to figure out whether i'm going to just poke a couple of holes in the drywall and run conduit to everything, or do what the elecricians proposed, which is to run drops behind the walls and just poke a hole through the drywall behind where things are going to be surface mounted. the latter will be much cheaper, but i have to think that through and make sure that's not going to be opening up too many holes. i guess i can always do a hybrid, worst case.

April 19, 2006

learning annex

disqo (sorry, couldn't resist) asked me about the possibility of providing links to resources and stuff which help inform some of the decisions i'm making with regards to the construction process, so i formed a new category.

here's some stuff to get started. if you're even thinking about doing any studio construction, the place to begin your journey is john sayers' site. a good chunk of the information you need is there, but studio construction has so many variables, so be prepared to spend a lot of time reading the forum with the understanding that every situation is different. john and a bunch of other guys who have been doing this kind of work forever are really generous with their time and advice.

if some of the stuff there throws you for a loop, you may want to check out the sae materials.

you can sometimes find snippets of wisdom at various sites which are dedicated to recording but not necessarily studio construction:

gearslutz.com
homerecording.com
studiotips.com

2 legit 2 quit

yup, it's hammer time. sledgehammer time, that is. i just got back from dahntahn with a building permit and a copy of my floor plan stamped with the biggest stamp i've ever seen in my life.

for those of you who live in the burgh and are thinking of doing any work to your house, i strongly recommend getting a permit. for all the stuff i'm going to do to the basement, it only took an hour of my time and less than $50 to have the peace of mind to know what i'm about to do is kosher and to not have to worry about getting fined or anything like that. it especially puts my mind at ease with regards to insurance. pittsburgh bureau of building inspection web site: http://www.city.pittsburgh.pa.us/BBI/

as luck would have it, the dude who helped me at the zoning desk is involved with a studio on the side. he has this prog band, and the music this prog band does is so amazing and groundbreaking and original that no studio in the area could understand the genius of their work and adequately capture them to tape. their stuff is so innovative and awe-inspiring that words alone cannot describe it, so he decided to not even try. since only they are capable of realizing their vision (and thereby changing humanity forever), they started their own studio.

i'm tentatively planning to start ripping stuff out this coming weekend. anyone wanna help?

April 18, 2006

wall soundproofing, part 1

there will be about 3 or 4 different wall situations in the studio design, and i'll need to tackle each one separately. the most solidified one right now is the wall between the main studio and the vocal booth:

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this follows the typical mass-air-mass (M-A-M) design for soundproofing which has become the prominent model the past 10 years or so. the wall side in each room is on its own frame to provide maximum decoupling between the rooms. M-A-M dictates that both frames be open-faced, otherwise you'd have mass-air-mass-air-mass-air-mass, which is actually *less* effective, particularly for lower frequencies.

the only change i might make to this plan is to remove the resilient channel in the rooms. it's not really necessary when using 2 open-faced frames like this, at least not for sound transmission between the rooms. the main reason i have it in there is that the frames will be attached to the floor joists above, and this *may* provide a useful decoupling for that. i'm also hoping to add some sort of material between the frame and the joists and the frame and the floor in order to better decouple those connections.

UPDATE: the RC is now gone from this plan. it's not going to offer any real benefit in this scenario and is just another layer of stuff to have to worry about.

April 17, 2006

ceiling soundproofing

lots of people have been asking me about soundproofing, and i'm currently trying to finalize some of the details myself, so i figured i'd share with the class. i'll start with the ceilings since they're the most finalized of all my plans...

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more information about resilient channel can be found here.

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April 16, 2006

easter wire hunt

we yanked down most of the ceiling drywall today. i finally got to see what's going on with both the old and new wiring. stuff like this makes me cringe:

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thankfully, i'll be ripping out all this wiring anyway.

for the circuit that's still having problems, i decided to trace the wiring into the room and came across this:

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i'm *really* glad i shut off all the breakers for the overhead wiring before we pulled anything down.

in other news, we got these kits from home depot which have safety goggles, a dust filter, and earplugs. after getting to the house and putting them on, i realized why the kit was so inexpensive. the dust filter wouldn't create a good seal around my nose no matter how i positioned it or how tightly i closed the metal clamp. every time i breathed, my glasses would fog up. so i decided to be stupid and yank down the drywall without wearing it. it didn't take us long at all to rip everything down, but i did manage to inhale a fair amount of dust in that time. from what i've been able to gather on the internet, i probably don't need to be *too* worried about it, but it is messing with my system a little.

next time i'm doing it right and getting respirators. i really should have known better.

April 15, 2006

electrical

jerry and dave came back for a couple of hours today to do some more work.

good news:

we now have an additional circuit for the upstairs. it's providing juice for an outlet in each of the bedrooms and one in the living room.

the "live wire" pictured earlier has been completely removed

the rube goldberg wiring in the garage has been fixed. all the crazy light fixtures and sockets have been removed, and a new circuit was run for the garage door opener. i can now operate the garage door with the lights off. woohoo!

there was an absolutely horrible run of telephone wire going all the way through the basement to the far bedroom. since we probably won't even bother to get a land line, i just ripped the whole damn thing out.

bad news:

the biggest fire hazard still hasn't been fixed. there's a receptacle in the dining room and a light socket downstairs from it in the laundry area. the outlet in the dining room is having intermittent problems, and the light socket downstairs isn't getting anything. last week i fiddled around with this for a few hours and got nowhere; today 2 seasoned electricians did the same exact thing, so now i don't feel quite so dumb. the wiring and insulation around that area are in good shape, and they checked and re-checked connections i don't know how many times.

they've traced the wire going the other direction and it goes somewhere above the ceiling in the semi-finished part of the basement. the current theory is that the cable got damaged somewhere up there when the drywall was put up. the only thing we can do now is yank down the ceiling (which i was going to do anyway) and trace that cable. so it looks like i'll be getting started on the basement destruction this coming week.

furniture porn

know anyone who wants a bar?

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it's about 12 feet long. as best i can tell, it was built inside the room, as right now there is no way to remove it from there intact. however, i'll need to knock out part of the wall between there and the garage eventually, at which point this is free to anyone who wants to come and haul it away. otherwise, i'm just gonna break it down and discard it.

here's the console desk i bought off of the guys at PNS:

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i still have to finish putting it together, and i'm going to have to make some adjustments to the hutch. those racks up there would make speakers sit too high so they're coming off. i'll also need to saw down those side supports so they don't block the path in front of the monitors.

April 14, 2006

studio design #1

here's my first choice studio design for the space...
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this meets my two main goals of using the biggest spaces possible and combining tracking and control room into one space. i prefer whenever possible to do everything in one room, as it helps alleviate the 'i feel like a zoo animal that everyone is staring at through a window" feeling that a lot of musicians have in the traditional split tracking/CR design. in this particular space, i also find it advantageous to have one big room rather than two (or more) small rooms. the only challenge is that symmetry is crucial to CR designs, whereas asymmetry works really well in tracking rooms. i've had to punt many tracking room possibilities in favor of the CR requirements, but i think overall the coffin design will work here.

the primary room design is a modified version of the Ethan Winer/Wes Lachot single-room design (http://www.realtraps.com/art_studio.htm). it has been scaled to match the room height and modified to deal with width limitations within the space.

current floorplan

here's what i'm starting with...

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the big room on the upper left will be where the main studio stuff is happening. the fireplace is going to be removed, and a door will be added between that room and the garage to provide easier load-in. the biggest problem with that room is the smaller support beam in the upper left. i had to scrap a bunch of potential plans because that beam would destroy control room symmetry and/or break up spaces in weird ways--it hangs just far enough down from the joists to be obnoxious. in some ways it's totally gratuitous from a load-supporting standpoint, but it would be a huge pain to redo the floor above with longer joists under the living room to alleviate the need for it. i'm just going to work around it.

the bathroom is hideous. it's going to be destroyed and rebuilt as a half-bath. the area surrounding it will become a lounge area.

fire hazards

hopefully these things (and the other ones which are hidden behind walls) will be fixed tomorrow.

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yes, this wire and its associated label were like that when we got the house. the electrical tape on the hot wire was not. i completely forgot that cable was there, as i've been preoccupied with fixing things upstairs.

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this is by far the best. i couldn't get a better picture of this given the lighting conditions, so i'll do my best to explain. to the left we have a garage door opener. to the right, near the ductwork we have a light socket. in between we have an electrical rube goldberg machine. the light socket has a Y connector with a socket and a 2-prong receptacle. this runs over to the floor beam where it intermingles with the cable line and the piece of sheet metal which is tacked onto the ceiling for no particular reason. then it runs under the beam and around to the other side where there is another light socket. but not just any light socket. you know how light sockets usually mount onto a junction box? well, this one is special. it mounts onto a piece of sheet metal. said piece of sheet metal then has a hole drilled through it so it can hang from a hook drilled into the ceiling. light socket has another Y connector, followed by a 2-prong adapter, and this is where the garage door opener plugs in.

the best part of all of this is, this is all controlled by a light switch. so if you turn the light off in the garage, you can't use the garage door.

out with the old, in with the new

today was shitty and cloudy and rainy and all, but i was able to snag a few photos outside this afternoon of the old and new electrical lines running into the house.

here's where the existing 3 wires come into the house. as you can see, the pipe is leaning quite a bit and it's also rusted beyond belief. and the lines run all the way across our yard and halfway across the neighbor's yard. the new feed is going to come from behind the house straight into the new cable run to the left.

hmm...i forgot to look more closely at the new meter box and see if actually contains any sort of metering device yet. maybe we'll get free service for the weekend.

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it appears that our house isn't the only thing in the neighborhood with crazy wiring. this shot looks like background straight out of an r. crumb comic....

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Welcome

Well, here's the start of the studio-building adventure...

The electricians are at the house today working on the fire hazard that is our electrical system. They yanked out the old 100A fuse panel and put in a 150A circuit panel. Our amperage won't get bumped up until next week, though -- we have to wait for the inspection and then Duquesne Light needs to run our service from a different location, as our wires are all crossing over our neighbor's yard and were coming down a horribly-rusted pipe into the meter.

They're working now on running a second circuit through the bedrooms (everything was on one circuit) and fixing the wiring atrocities in the basement. Never before have I seen such a long chain of things plugged into other things plugged into other things and so much wire crammed into such tiny junction boxes. For all its faults (cough cough AFCI cough cough) modern electrical code makes me feel a hell of a lot more comfortable, even if it is an inconvenience sometimes.